MAX VERSTAPPEN × TAG HEUER / ADVERTISING CAMPAIGN

ONE HOUR.EVERY MINUTE COUNTS.

Premium campaign portraits of Max Verstappen for TAG Heuer, created ahead of the Formula One season by Jon Enoch, an advertising photographer based in London.

Max Verstappen seated in a pale jumper with a TAG Heuer watch.
LIMITED ACCESS / COMPLETE PREPARATIONPORTRAITS · TALENT · CAMPAIGN ASSETS

01 / The brief

PRECISION.
PERSONALITY.

The brief called for a range of premium portraits that balanced TAG Heuer’s precision and luxury with Max’s own character.

Access to Max was limited to one hour. Within that time, the team needed distinct looks and campaign assets, including wardrobe changes — the equivalent of several shoots within a single session.

Max Verstappen in racing overalls against blue and red campaign lighting.
A different look within the same tightly planned session.

02 / The preparation

REHEARSED.
READY.

Lighting, camera positions, timing and the shot sequence were planned before Max arrived. We pre-lit the sets and rehearsed the transitions with a stand-in, walking through the session in advance.

Styling, hair and makeup, and the assistants worked to the same plan. Everyone knew their role, so the hour could be spent making photographs rather than resolving technical decisions.

Max Verstappen seated in a dark outfit against a navy background.
sports photographer jon enoch captures Formula One's Max Verstappen in this advertising shoot for Tag Heuer
Max Verstappen photographed by London based advertising photographer Jon Enoch
Portraiture, product and the racing environment in one campaign frame.

03 / The result

MORE FROM
LIMITED ACCESS.

About seven shoots’ worth of distinct assets and looks were captured in the one-hour session. The finished photographs move between understated portraits and the energy of the racing world, while keeping a consistent premium finish.

For brands working with talent and ambassadors, careful preparation helps make the most of limited access — without losing the person at the centre of the campaign.

Max Verstappen leaning forward in a dark jumper.
Max Verstappen seated in racing overalls against red and blue lighting.

04 / Behind the scenes

THE WORK BEFORE THE HOUR.

Pre-lighting and a rehearsed sequence gave every look its place in the session.

Behind the scenes: the studio lighting setup around a Formula One car.

Campaign photography by Jon Enoch, advertising photographer based in London.